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Diskographie
• phono_phono
absinth records #14, series diametral acoustics
Berlin
Magda Mayas: piano, synth
Michael Renkel: ac. guitar, live electronics
Sabine Vogel: flutes, live electronics
ltd. edition
hand printed
screen print gouache on cardboard
www.absinthrecords.com
tracks:
1. Theme ____________14:45
2. Interlude I_____________01:48
3. Silent Bombing ___________20:21
4. Interlude II ____________02:02
5. Perception Feedback __________09:11
6. Interlude III ________________02:57
7. Rasp and Rest _______________13:40
total ___ _______________________65:32
Presse:
phono_phono (I believe it’s the name of the ensemble
as well as the album) is a trio with Magda Mayas (piano, synthesizer),
Sabine Vogel (flutes, electronics) and Michael Renkel (guitar,
electronics). Though it’s nowhere indicated, I get the
impression that Renkel is the driving force behind at least
the suite presented here which, though clearly consisting
of a great deal of improvisation, just as clearly has a prearranged
structure of sorts. The seven tracks find four longish ones
(about nine to twenty minutes) separated by three “interludes”
in the 2-3 minute range. Things drift toward the quiet and
spacious sometimes, as in the opening piece, edging into a
territory with Feldman-esque overtones, resembling that composer’s
work for semi-similar trios (flute, piano percussion). The
interludes are like cool, misty ponds separating the more
tangled, irregular wooded patches between them, very lovely
in and of themselves. Much of the suite is languidly paced,
using generally consonant tones (even the clicks, bangs and
whirs don’t read as especially harsh) but things gradually
pick up tempo, real or implied, as the piece develops. The
third section, “Silent Bombing”, is more rambunctious,
bumpier. Renkel’s guitar, while always retaining its
recognizability as such, gets a bit frantic, Vogel’s
flute more breathily urgent. Here and elsewhere, the coherence
of the three musicians into a balanced whole is very impressive.
Indeed, “balanced” fits the trio very well; there’s
an enjoyable sense of steady, serene creation throughout.
The final interlude sets some rhythmic ideas in motion that
surface several minutes into the final movement, the sort
of rapidly flitting sounds that recall Gunter Muller. That
addition, plus some of the rougher plucking and thwacking
to be found on the disc, does its part to make the last track
the highlight of the album, a really strong, vital piece.
One hopes this trio remains together and takes off from here.
Good stuff.
absinth
Posted by Brian Olewnick on May 13, 2007 12:53 PM
http://www.bagatellen.com/archives/reviews/001676.html
Another very strong CD I've been playing a lot is from the
trio of Michael Renkel, Sabine Vogel and Magda Mayas who go
by the collective name of Phono Phono, which also seems to
be the title of their first album on the Absinth label. Another
review planned for this one, which is a curious mix of guitar,
piano, flute and electronics, ranging from very quiet Feldmanesque
moments to quirky quickfire improv, but somehow all making
sense as one big whole. I had no expectations for this disc
when it arrived, but have been pleasantly surprised at how
much I've enjoyed it.
Richard Pinnell
Problem with silence is that it's too still. There is a world
of sounds in fact that breaks the monotony of silence and
gives birth to something new and exciting. On the other hand,
there are ensembles that work closely with one another and
understand silence to be another tool they can use in the
creative process. One such gathering of musicians is the trio
made up of pianist/synth player Magda Mayas, guitarist/electronics
guru Michael Renkel and flautist/electronics witch Sabine
Vogel. Together they machinate silence and concoct something
amazingly new out of the deepest, darkest corners of their
creative imaginations. Recorded in November 2005 in Berlin,
the album features what in some people's minds would pass
for utter silence, while others would automatically declare
this as music. Of course, the answer is this is music and
it's music at its very finest. My guess is some of the material
was "though-out" prior to actual recording, though
this is purely improvised music. Gentle tickles of the ivories
are heard throughout as is delicate synth work. Renkel's guitar
is strewn out in gentle humming passages. Sometimes he taps
the body of his instrument, while at others, he actually plucks
the strings. Electronic treatments are done in such a way
as to accentuate the sound of the instruments. Pops, cracks
and static that is heard is a mandatory player in the game,
seeing how both Vogel and Renkel utilize electronics in a
generous way. Vogel's flute work is haunting throughout and
more often than not is kept to tight, time-out blows or just
timid taps of the tongue. Put together, the trio is extremely
committed and plays each pause and phrase with exact devotion
and care to details. Generous portion of improvised music
with emphasis on the electro-acoustic. Packaged in a gorgeous
cardboard sleeve, and limited to only 500 copies, I recommend
you pick up a copy without delay.
GAZ - Tom Sekowski
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